All posts by hurdjp

Unknown's avatar

About hurdjp

Christ-follower, bush pilot, teacher, writer, speaker. New book of stories and essays---planned for late 2026. Other books available on Amazon, etc.: Blessed Unbeliever (a coming-of-age novel), Wingspread: Of Faith and Flying (memoir), Horse-and-Buggy-Mennonites (documentary).

WINGSPREAD E-zine for June, 2015

“Spreading your wings” in a complex world.

Contents

1. E-zine subscription information
2. How to purchase Wingspread: Of Faith and Flying
3. Newest blog article: “Praying in a ruined cathedral”
4. Writer’s Corner
5. Favorite quotes

 Subscribe to this E-zine   Click here http://jimhurd.com to subscribe to Wingspread  E-magazine (free), sent direct to your email inbox, about twice a month. You will receive a free article for subscribing. Please share this URL with interested friends, “like” it on Facebook, retweet on Twitter, etc.

 Buy Wingspread: A Memoir of Faith and Flying How childhood (Fundamentalist) faith led to mission bush-piloting in South America. Buy it here:  jimhurd.com (or at Barnes and Noble, Amazon.com, etc.)  See pics related to Wingspread: http://www.pinterest.com/hurd1149/wingspread-of-faith-and-flying/


New blog article:
Praying in a ruined cathedral  

We pilgrim along the forested path. I smell the peonies and primroses that border the trail. Crosses populate a little cemetery on one side of the path, their planted stones listing but not toppling, marking the graves of the holy ones. I finger the rough limestone, trying to trace the faded names.

Up ahead, a ruined cathedral emerges through the trees—a huge, wounded hulk. We walk across a clearing and into the roofless nave, now open to the sky, where the warm wind disorganizes my hair….

Read more here:  https://wordpress.com/post/78053395/361

(*Request: Please leave a comment on the website after reading this article. Thanks.)


Writer’s Corner

Wondering how to solve layout problems for your article or book? Read my “On Writing: Layout” athttps://wordpress.com/post/78053395/354

 Writer’s Word of the Week:  Pseudonym

Definition: A substitute-name for a person or place

Think very carefully about who may object, or who may be damaged, by what you write. How can you avoid criticism, or betrayal of others, especially friends or members of your own family? You can use pseudonyms for people or places. Keep a separate ID list so you can keep track of who’s who.

However, sometimes even pseudonyms are not enough—think Sinclair Lewis’ novel Main Street, where the good people of Sauk Centre were outraged at what he wrote about their town. You may need to mask places or events so as to protect identities. You may need to ask people’ permission. Or some things you may need to omit.

Writer’s workshop! Do you wish to get more serious about your writing, meet other writers, and learn from some of the best? Meet me at the Iowa Summer Writing Festival. Workshops from weekends to week-long. Check out their website at: http://www.iowasummerwritingfestival.org/

Favorite quotes:

♫   A good question is never answered. It is not a bolt to be tightened into place but a seed to be planted and to bear more seed toward the hope of greening the landscape of ideas.            John Ciardi

♫  God gave you two ends: One to sit on and one to think with. Success depends upon which one you use most —

Heads you win
Tails you lose!
Anonymous

♫  I’ve always wanted to be somebody, but now I see I should have been more specific.
Lily Tomlin

♫  A doctor can bury his mistakes but an architect can only advise his clients to plant vines.               Frank Lloyd Wright

♫  You’ve got to be very careful if you don’t know where you are going, because you might not get there.      Yogi Berra

♫  To pray only when we feel like it is more to seek consolation than to risk conversion.
Joan Chittister

*                                  *                                  *                                  *

Follow “james hurd” on Facebook, or “@hurdjp” on Twitter

If you wish to unsubscribe from this Wingspread E-zine, send a note to hurd@usfamily.net and say in the subject line: “unsubscribe.” (I won’t feel bad, promise!) Thanks.

Praying in a ruined cathedral, near York

We pilgrim along the forested path. I smell the peonies and primroses that border the trail. Crosses populate a little cemetery on one side of the path, their planted stones listing but not toppling, mark the graves of the holy ones. I finger the rough limestone, trying to trace the faded names.

Up ahead, a ruined cathedral emerges through the trees—a huge, wounded hulk. We walk across a clearing and into the roofless nave, now open to the sky, where a brisk wind disorganizes my hair. I look above the bare columns, up to where the flying buttresses still support the clerestory walls, and see the sun pouring through their pane-less, sightless windows. Below, the fragrance of mown grass fills all the space where stood the pews. In the apse, birds walk and peck among the weeds that grow atop the abandoned altar. All else is silent.

Long ago, workmen sweat blood building these piles—impelled by hunger, or the need to gain church absolution through penance-work. Later, ignorant armies spilled blood grappling in the night, and then the winners torched these towers, burnt the roof, and besmirched the stones.

Time floods over this place, but, like battered antique furniture, it stands timeless, and still testifies to the ancient faith, the ancient ways. People worshiped and died here, and now lie in the nearby plot awaiting resurrection. How many Christmases and Easters were celebrated here? How many hymns sung? How many prayers lifted, sins confessed, and Eucharists chanted? We kneel and pray on the hallowed grass.

Today, heedless grass-muffled feet tread here. Careless hands caress the ruined columns, unmindful of those who built these halls, tilled this garden, dug these graves. I see a father with two children running beside him.

“What mean these stones?” they ask.

The father replies, “They remind us that Godly men performed great deeds here—deeds that still touch us today.”

This place demands nothing of me, calls me to no task, and only asks that I stop here, and reflect. The stones whisper, “Traveler—go slowly here. Reflect on these crumbling walls, walk the grass-grounded halls while you consider your short, anxious life. Is it not as a vapor? Who will care? Who will remember you? Live well, for one day you too will be missing from the earth.”

So many places we tread and heed not the dead beneath our feet—their labors and longings, aspirations and desperations, losses and lamentations. God has given us these places, spaces which time cannot erase. Dare I fail to pause and ponder the power of the past? I am found here on holy ground, wondering at the mystery, straining to see the disappeared faces. I feel as if I am a fragile, transient thing, who today haunts these eternal halls. As I stop to pray and worship, I can feel all the past leaning into my present.

Reluctantly, we chastened pilgrims turn to continue our journey. It is good to have been here.

WINGSPREAD E-zine        May 1, 2015

“Spreading your wings” in a complex world

Contents

1. E-zine subscription info. Insure you’ll always receive Wingspread E-zine.
2. How to buy Wingspread: Of Faith and Flying
3. Newest blog article: On Writing: Layout
4. Writer’s Corner
5. Favorite quotes and books

 Subscribe to this E-zine   Click here http://jimhurd.com to subscribe to Wingspread  E-magazine (free), sent direct to your email inbox, about once a month. You will receive a free article for subscribing. Please share this URL with interested friends, “like” it on Facebook, retweet on Twitter, etc.

 

Buy Wingspread: A Memoir of Faith and Flying  How childhood faith led to mission bush-piloting in South America. Buy it here:  jimhurd.com (or at Barnes and Noble, Amazon.com, etc.)  See pics related to Wingspread: http://www.pinterest.com/hurd1149/wingspread-of-faith-and-flying/

 

New blog article: On Writing: Layout

Even if you’re a great writer, there’s no virtue in ugly. After you’re sure your editing is done, you must think about layout (e.g., formatting). Layout has to do with type font and style, paragraphing, chapter headings and subheadings, running heads, paging and page numbering, justification, line spacing (the technical name is leading) and a bunch of other stuff. You’re thinking about aesthetics, clarity, and (a big one) consistency. Think about layout—your readers will thank you, and they will be more likely to read your stuff.….  Read more here:  http://wp.me/p5hvfJ-5I

(*Request: Please leave a comment on the website after reading this article. Thanks.)

 

Writer’s Corner
Wondering how to revise your work? Read my “How to revise your writing” at:  http://wp.me/p5hvfJ-42 .

 

Writer’s Word of the Week:  tight writing”
Definition: Writing frugally, economically. Not one superfluous word. Fewer words makes every word more powerful.

Liven up your writing by tightening. Change a phrase into a single adjective:

Instead of “on a mat,” use “matted.” Instead of “who had fled” use “fled,” etc.

 

Here are some terse phrases from Leif Enger, Peace Like a River. Aren’t they wonderful?

the path beat backward under her feet.          [personifying the path]

weak light leaking through the clouds.           [metaphor]

a fled serviceman left her pregnant.               [adjectivizing a verb]

their eyes dustbowl-flat.                                    [metaphor]

suspendered baggies [referring to pants]      [adjectivizing a noun]

frostbit sunrise                                                    [metaphor that chills your bones]

cameled out of Egypt (referring to a mode of travel) [verbalizing a noun]

the hard, useless sun.                                      [personification]

the woman, Frenchbraided and scarf unslung…         [adjectivizing a noun]

a guestless [marriage] ceremony.                    [adjectivizing a noun]

Favorite new quotes:

♫   A man is like a fraction whose numerator is what he is and whose denominator is what he thinks of himself. The larger the denominator, the smaller the fraction.
Leo Tolstoy

♫   I loathe dogs. They are kept by those who haven’t the courage to bite people themselves.
August Strindberg

♫   If I were two-faced, would I be wearing this one?
Abraham Lincoln (1809-1865)

♫   When you love someone, you love the person as they are, and not as you’d like them to be.
Leo Tolstoy

♫   Glory is fleeting, but obscurity is forever.
Napoleon Bonaparte (1769-1821)

♫  WORK like you don’t need money,
LOVE like you’ve never been hurt,
DANCE like no one’s watching.
Anonymous

*                                  *                                  *                                  *

Follow “james hurd” on Facebook, or “@hurdjp” on Twitter

If you wish to unsubscribe from this Wingspread E-zine, send a note to hurd@usfamily.net and say in the subject line: “unsubscribe.” (I won’t feel bad, promise!) Thanks.

On Writing: Layout

This is fourth in a five-part series: 1. Starting your memoir-stories, 2. Revising, 3. Editing, 4. Layout, 5. Getting your story out to others. All these articles will (eventually) appear on the Wingspread website: jimhurd.com   Message me, or post comments on this, or any other writing, on Wingspread at http://jimhurd.com. Thanks! Subscribe free to the monthly Wingspread E-zine at http://wp.me/P5hvfJ-35, and receive a gift article. Wingspread: Memoirs of Faith and Flying. Review this book, or buy it at:   http://booklocker.com/books/7785.html, or through Amazon, or Barnes & Noble. Please recommend to interested friends.

*                      *                      *

Even if you’re a great writer, there’s no virtue in ugly. After you’re sure your editing is done, you must think about layout (e.g., formatting). Layout has to do with type font and style, paragraphing, chapter headings and subheadings, running heads, paging and page numbering, justification, line spacing (the technical name is leading) and a bunch of other stuff. You’re thinking about aesthetics, clarity, and (a big one) consistency. Think about layout—your readers will thank you, and they will be more likely to read your stuff.

Who should do your layout? Browse articles in magazines to get ideas for layout. Even though a layout person could charge $1-2,000 for a book, you can probably find cheaper. Sometimes your publisher will do some layout. (Mine did for my book Wingspread, but I spent 40 more hours making my own improvements and modifications.) And with study, patience, and practice, you can even do layout yourself. Check other books to see how they do it.

Think about type font. A default could be Times New Roman 12 point. However, you may wish to look at other font types and sizes. Larger font sizes are easier to read, but require more printed pages. In the Word program, you can do drop-caps for the first word of each new chapter. (This is a large, stylistic letter.) It’s quite impressive. However, watch out for “letter collisions.” Each chapter should start on an odd-numbered page. Titles should usually be bolded, center-justified, and a bit larger type font than the text. If you want to go crazy, insert a symbol, glyph, or little drawing above each chapter title. Be consistent with your spacing of all these. All subheadings should be the same format (type font, spacing, indenting). A running head refers to the words in the header portion of each page. Usually the running head is a shortened title of the book, or the title of the current chapter, and sometimes your last name. Page numbering should be here, or centered at the bottom of the page.

Justification refers to left and right margins of the text. Most books use full justification, meaning the text is even on the left and right margins. However, watch out—this may create large spaces between words. Usually, no extra lines are inserted between paragraphs. You probably wish to indent the first line of each paragraph, but the first line of text following a title or subtitle should not be indented. In a long quote, the whole quote should be indented. You can get away with a lot if you are consistent throughout your piece. Be sure to be consistent with: formatting, spelling, hyphenated words, italics (e.g., foreign words), or diacritical marks (e.g., façade).

For a book-length piece, create a style sheet to assure consistency. Front and back material. Organize your front materials: title page, copyright page, table of contents, acknowledgements, and preface. Then, organize your back materials:  glossary, endnotes, appendices, index, etc.

*                      *                      *

Many casual readers do not notice layout, or they take it for granted. But writing with an appealing layout attracts and pleases the reader, and makes your writing more professional. Your readers will thank you for it.

WINGSPREAD E-zine April 1, 2015

An E-magazine dedicated to “spreading wings” in a complex world

CONTENTS

1. E-zine subscription info. Insure you’ll always receive Wingspread E-zine.
2. How to buy Wingspread: Of Faith and Flying
3. Newest blog article: Editing: the spit and polish of a good writer
4. Writer’s Corner
5. Favorite quotes and books

SUBSCRIBE. Click here jimhurd.com  to subscribe to Wingspread  E-magazine (free), sent direct to your email inbox, about twice a month. You will receive a free article for subscribing. Please share this URL with interested friends, “like” it on Facebook, retweet on Twitter, etc.

BUY WINGSPREAD: A book about how childhood faith led to mission bush-piloting in South America. Buy it here:  jimhurd.com (or at Barnes and Noble, Amazon, etc.)

See pics related to Wingspread at:
http://www.pinterest.com/hurd1149/wingspread-of-faith-and-flying/

NEW BLOG ARTICLE 

On Writing. Editing—the spit and polish of a good writer

So you’ve written your article and even revised it. You’re done, right? Well, not exactly. Now’s the time to carefully edit your piece.

Are you a lousy writer? Get an outside reader. Are you a great writer? Get an outside reader! You can never see your own writing as clearly as another pair of eyes. Friends are usually too kind—they love you and wish to encourage, not critique….  Read more here:  http://wp.me/p5hvfJ-5h

(*Request: Please leave a comment on the website after reading this article. Thanks.)

WRITER’S CORNER

Wondering how to clean up your writing? Read my “How to revise an article” at:  http://wp.me/p5hvfJ-42

Liven up your writing by cutting out “dead” verbs (e.g., is, was, been). Here are examples of some spritely verbs:

mouseholed (chose to not engage the problem)

ape (imitate)

bellow

blazes out (stands out sharply)

botch

bristle (react angrily)

broker (negotiate, mediate for another, e.g., broker a settlement)

browse (casually search)

cash out (dispose of a long-held asset, e.g., “cash out” of the marriage)

cauterize (cover over, paper over, gloss over, a matter)

cloy (sicken with excess sweetness, romance)

conjure (create out of nothing)

crimsoning (bloodying; using –ing to change noun to a verb)

cull (sort)

discomfit (make nervous, unsettle)

disembowel (evicerate, destroy)

elbow (push aside)

entomb (bury, obscure permanently)

envenom (poison, destroy, corrupt)

eschew (avoid)

exhume (dredge up)

evicerate

evoke (conjure up, draw out)

exorcise

flag (tire)

forestall (prevent)

hobble (handicap or hinder)

hurl (throw hard and far)

hurtle (move at a high speed)

inoculate (make impervious to)

invoke (ask for help; quote an authority)

jostle (trouble, irritate)

launch

leapfrog (surpass)

lurch (move irregularly, violently)

wither

Writer’s Word of the Week:  sprawl”

Definition: Sprawl is a nasty thing. It means using too many subordinate clauses in a sentence before getting to the subject. E.g., “Because he was tall, and he liked to play basketball, although he played it poorly, Jerry neglected his studies.” (15 words before you get to the subject, Jerry!)


GOOD BOOKS ON WRITING:

Writer’s Digest

Natalie Goldberg, Writing Down the Bones

Joseph Williams, Style: The Basics of Clarity and Grace

NEW FAVORITE QUOTES:

♫   Outside of a dog, a book is man’s best friend. Inside of a dog, it’s too dark to read.
Groucho Marx

♫   He can compress the most words into the smallest idea of any man I know.
Abraham Lincoln (1809-1865)

 ♫   I have never let my schooling interfere with my education.
Mark Twain (1835-1910)

♫   The man who does not read good books has no advantage over the man who cannot read them.
Mark Twain (1835-1910)

♫   There is a country is Europe where multiple-choice tests are illegal.
Sigfried Hulzer

*                                  *                                  *                                  *

Follow “james hurd” on Facebook, or “@hurdjp” on Twitter

If you wish to unsubscribe from this Wingspread E-zine, send a note to hurd@usfamily.net and say in the subject line: “unsubscribe.” (I won’t feel bad, promise!) Thanks.

On Writing: Editing—the Spit and Polish of a Good Writer

James Hurd, January, 2015 This is the third in a five-part series: 1. Starting your memoir or story, 2. Revising, 3. Editing, 4. Layout, 5. Getting your story out to others. All these articles will (eventually) appear on the Wingspread website: jimhurd.com   Message me, or post comments on this, or any other writing, on Wingspread at http://jimhurd.com. Thanks! Subscribe free to the biweekly Wingspread E-zine at http://wp.me/P5hvfJ-35, and receive a gift article.

Wingspread: Memoirs of Faith and Flying. Review this book, or buy it at:   http://booklocker.com/books/7785.html, or through Amazon, or Barnes & Noble. Please recommend to interested friends. *    *    * So you’ve written your article and even revised it. You’re done, right? Well, not exactly. Now’s the time to carefully edit your piece. Are you a lousy editor? Get an outside reader. Are you a great editor? Get an outside reader! You can never see your own writing as clearly as another pair of eyes. Friends are usually too kind—they love you and wish to encourage, not critique. A professional editor will be more critical—they charge upwards of $15 per hour, but they’re worth it. Or you can go the middle route with an unprofessional editor, for instance college English majors ($10 per hour). And sometimes, writer-friends will edit your stuff for the price of a medium vanilla latte.

Types of editing Editing comes in all different shapes and sizes:

  1. Content—what to include/not include, structure, arrangement of parts
  2. Voice, tone and writing style—is it too formal or informal (e.g., use of contractions, everyday language, etc.)
  3. Logic—does it make sense?
  4. Formatting—subheadings, paragraphing, spacing, margins, underlining, italics
  5. Spelling, punctuation, and grammar

Tell your outside reader what you’re most concerned about and ask them to look for it.  

Sentences and paragraphs Aim to shorten your piece by 10-20%. The fewer the words, the more weight each carries. Vary the length of the sentences. Start the sentence with simpler, more familiar stuff, and end with the new, more significant stuff. Weaker: “John felt completely lost when he entered his first year of college” Stronger: “When he entered his first year of college, John felt completely lost.” A well-structured paragraph should start with a topic sentence, and end with a brief summary sentence. If the piece is intended for a popular audience, don’t run on with long paragraphs; break them up a bit, and provide a transition between paragraphs such as “In other words,” “In contrast,” or “Afterwards,” so the reader can easily follow you.  

Logic Never leave your reader wandering in the weeds (unless you’re William Faulkner, who could get away with murder). Orient your reader to the person, time, and place where each event happens. Never leave the reader asking, “Huh?” We know the logic behind our words (unless we’re fuzzy thinkers), but make sure your reader sees the logic also.

Punctuation In dialogue, each speaker gets a new paragraph, e.g., John said, “Where’s Mary?” Sally replied, “In the bedroom.” “OK.” With few exceptions, all punctuation goes inside the quote marks:     Wrong: Bill replied, “I don’t think so”!     Correct: Bill replied, “I don’t think so!” You may use three kinds of dashes:     hyphen (e.g., sit-ups)     en dash (e.g., 1985–6)     em dash (e.g., Semicolons are so 20th century—-I tend to substitute an “em” dash.)  

Commas Ah, the pesky comma… so small, yet it causes so much trouble. You should use a comma at a pause, except when you shouldn’t, and sometimes when you don’t pause. See what I mean? Use a comma:

  • between items in a series (…John, Jack, and Bill)
  • after an introductory phrase (In the first place, …)
  • before a conjunction that connects two independent clauses (He played the game well, but his injuries always hindered him.)
  • some other places

Modern writers tend to use fewer commas than earlier, more formal writers do. In popular writing, I try to avoid commas unless they’re necessary for understanding. Use the rule: If a careful reader would not notice a missing comma, leave it out!  

Consistency Consistency impresses. Always spell the same word the same. A reader will forgive a unique usage, but they won’t forgive you for changing usages throughout the piece. Be consistent about how you format subheadings, how and when you use italics, and how you spell and accent foreign words. Keep track of your usages in a style sheet so you’ll be consistent throughout. Write out numbers less than 10, and numbers beginning a sentence. E.g., “Twelve people attended the event, nine of whom were already members, but 15 more joined the organization.” Don’t play fast and loose with tenses, especially within one single chapter or article—be consistent. Don’t jump between present and past tense.

*                      *                      *

So, go through your piece several times. Have a friend read it. Then have a hard-hearted editor scrutinize it. You’ll be happy you did!

WINGSPREAD E-magazine February 28, 2015

An E-magazine dedicated to writing about spreading wings in a complex world

Contents

1. E-zine subscription info.–Insure you’ll always receive Wingspread.
2. Fun at the Dunn Bros. Wingspread reading event
3. Newest article: Part II: Heating Bellefonte House
4. Writer’s Corner
5. Favorite quotes and books

Subscribe  Click here http://jimhurd.com to subscribe to Wingspread  E-magazine (free), sent direct to your email inbox, about twice a month. You will receive a free article for subscribing. Please share this URL with interested friends, “like” it on Facebook, retweet on Twitter, etc.

Wingspread is a memoir about how childhood faith led to mission bush-piloting in South America. Buy it here:  jimhurd.com (or at Barnes and Noble, Amazon.com, etc.)  See pics related to Wingspread: http://www.pinterest.com/hurd1149/wingspread-of-faith-and-flying/

Signing event: We had a fun time on Wednesday at our Dunn Bros. book-signing event. I read a few excerpts, sold a few books, and we talked about the joy of writing. Wish you could have been there!

New article:  Heating Bellefonte House
We moved into Bellefonte House in the humid heat of August. But we knew that cold winter was coming. The house had radiators whose pipes went nowhere—the furnace was missing. The wooden coal bin in the basement was empty. How would we keep warm in winter? …
Read more here:  https://jimhurd.com/2015/02/28/heating-bellefonte-house/   (*Request: Please leave a comment on the website after reading this article. Thanks.)

 Writer’s Corner:  

Some ideas to help you edit your own stories:

  • Be consistent. When you spell a word, when you use italics, and when you hyphenate.
  • In dialogue, each new speaker gets a new paragraph.
  • Cut out every word that does not do any work.
  • Make your formatting consistent: paragraphing, line spacing, use of subheadings, font, ellipses.
  • Be consistent with comma use (in series, after clauses, etc.)
  • You may wish to put your own thoughts in italics (“I looked at him and wondered, Does he know how silly he looks?”)
  • Write out numbers less than 10 (“three”)


Here are some “dead” words. Cut these out: 

a bit
a lot
arguably
in a sense
the fact is
as a matter of fact
in reality
in order to
interesting
irregardless
just
like
one of the most
pretty much
really
kind of
sort of
things
the thing is
very

Wondering how to clean up your writing? Read my “How to revise an article” at:  https://jimhurd.com/category/writing/

Writer’s Word of the week:  epigram
A pithy saying or quote. A short poem with a surprising twist. Use an epigram at the beginning of your piece to surprise or provoke. (Example: “When choosing between two evils, I always like to try the one I’ve never tried before.” Mae West)

Favorite quotes:

♠   Copy from one, it’s plagiarism; copy from two, it’s research. Wilson Mizner (1876-1933)

♠   Writing is easy; you just stare at a blank piece of paper until drops of blood appear on your forehead.

♠   Rewriting is like rubbing a dusty window with a cloth. The more you rub the clearer the vision on the other side becomes.   Donald M. Murray

♠  Some editors are failed writers, but so are most writers.   T. S. Eliot (1888-1965)

Good books on writing:

Anne Lamott, Bird by Bird
Joseph Williams, Style: The basics of clarity and grace
Judith Barrington, Writing the Memoir

*                                  *                                  *                                  *

Follow “james hurd” on Facebook, or “@hurdjp” on Twitter

If you wish to unsubscribe from this Wingspread Ezine, send a note to hurd@usfamily.net and say in the subject line: “unsubscribe.” (I won’t feel bad, promise!) Thanks.

Heating Bellefonte House

Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
Robert Frost (1874-1963)

We moved into our 100-year-old Bellefonte House in Pennsylvania in the enervating heat of August, but we knew that cold winter was coming. The house windows were single-paned, and the radiators weren’t connected to anything. The furnace was missing, and the wooden coal bin in the basement stood empty. How would we keep warm this winter?

My childhood house in California had no furnace. In the morning chill we kids would run into the kitchen in our jammies, sit on a bench, and put our bare toes on the open oven door to soak up the heat. Or Dad would say, “Bring out the heater and hook the rubber hose to the gas jet.” And, “Always be sure to turn the jet off before you unhook it.” We never owned a fire extinguisher.

But here, it’s bitter winter in Bellefonte House, and the water pipes in the lower bathroom freeze. We set a small space heater near the pipes and let the faucet drip to keep the pipes open.

So we feel forced to enter the world of wood heating. We buy an airtight, freestanding stove, place it in the parlor on a heavy piece of slate, and connect it with a stainless steel pipe into the tall chimney. I enjoy bellying up to the hot stove on cold winter mornings. We run a duct from the parlor to carry heat across to the kitchen, and block off the stairway with blankets to keep the heat from all going to the upper story. I bank the fire at night, and in the mornings when the house temperature drops into the fifties, I jump out of bed and run down to add wood to the dying embers, carefully extinguishing any coals that bounce out onto the rug. On the coldest nights, the whole family forsakes the bedrooms to sleep together next to the woodstove, cuddled up in blankets.

Aping our pioneer forebears, we venture into the vast Pennsylvania forests to cut wood, but after several spectacular failures (like when we chainsawed through a rock) we decide that buying wood at forty-five dollars a cord isn’t too bad. People who know warn us, “Ask for a full cord of cured oak; don’t accept ‘a pickup load’ or a ‘rick’ or a ‘face cord.’”

The woodsman stops down below our house, his stake truck filled with oak logs in twenty-foot lengths, twelve inches in diameter. He yells up, “Where do ya want ’em?”

“Up here on the bank beside the house.”

The truck engine powers the hydraulic Anderson Arm which the woodsman uses to seize several logs at a time, lifting them from street level up onto our front lawn, avoiding the low-hanging electric wires. That afternoon, my rented chainsaw rips through the bark and wood to cut the logs into fifteen-inch lengths. I smell the pungent pitch. Then I swing a splitting maul to split the larger-diameter logs. Kimberly, Tim, and Jennifer (she’s three years old) help carry the firewood onto our front porch and stack it against the house.

“Why do we have to do this?” they whine. Clearly, this task is more fulfilling to me than to the children. I withhold my lecture about frostbite and death by freezing. We learn new words, such as rick, chimney brush, and creosote (you can smell it in the smoke rising up the chimney). We do not know that our chimney has no liner, that the mortar is crumbling between the bricks, or that the smoke has deposited thick layers of creosote on the insides of the bricks.

One morning our neighbor Mr. Witmer knocks on our door and yells, “There’s fire shooting out of your chimney!”

I run upstairs, smelling smoke. Tim jumps out of bed and says, “Daddy, there’s smoke coming out of my walls.”

The creosote must’ve caught fire. Are the walls burning? The whole house is going to burn down! We call the fire department and things begin to spiral out of control. We gather all the children and run out of the house, shivering in the cold. I watch as the fire marshal runs upstairs and yells down, “There’s smoke in the bedrooms!” Five eager men pull a huge fire hose into our front door, but the fire marshal stops them just before they flood the whole house. They use a chemical to staunch the flames and the holocaust quiets down.

After they leave I wonder, Have I been too casual about the safety of my family? We review our fire escape routes and invest in two smoke alarms.

I tell Barbara, “We can’t use the chimney again—it doesn’t have any liner, and pieces of mortar are falling out of the cracks.” But what to do? We turn on the costly electric baseboard heaters. We consider vivisecting and rebuilding the chimney.

But Barbara says, “Let’s build a new chimney over on the family room side. That would put more heat where we need it.”

I tell her, “That’s impossible.”

But of course, we end up building the chimney, an act I later refer to as our “Red Sea experience.” I call my friend Rich Kutch: “Could you come over and help? I’m afraid I won’t get this done before winter.” Truth is, I need his encouragement as much as his labor.

The day comes when we begin the construction, pouring a concrete foundation thirty inches down, below the frost line. You can hear the scraping of trowels as block by block the cement-block chimney rises. We install ceramic sections of masonry liner inside, and pierce a hole in the house wall to insert a triple stainless steel neck that connects the ceramic chimney liner to the woodstove.

As the scaffolding rises, we lash it to the house with straps to steady it. Two-by-twelve planks lie across the steel tubing to form a platform to stand on. We use a wheelbarrow to mix up batch after batch of cement. Barbara employs our laughable rope and pulley system to raise each seventy-pound chimney block. The blocks scratch my hands when I grab them up above.

I lie awake nights wondering how we’re going to finish the chimney. I dream of falling from the scaffolding, or of a block toppling down onto Barbara. I wake up in the morning sweaty, with no joy, thinking about the Impossible Task.

In spite of all these challenges, we finally cut a notch in the eaves to pass the chimney up through the roof peak, cement the top block in place, and install the chimney cap. Only after we’re done, I discover I’ve botched the job—the chimney follows the contour of the crooked house wall. I hope it will hold together.

Barbara decorates a “chimney cake,” and we invite the Kutches and our other helpers to come celebrate the finished chimney. During all our years living in Bellefonte House we will heat with wood.

*          *          *

Early this particular morning it’s fifty-five degrees inside, and I shiver as I throw on a robe and creep downstairs. I open the stove door, smell the dead ashes, and begin putting in kindling, newspaper, and wood chips to try to relight the fire. It soon blazes up, but instead of rising, the choking smoke blows out into my face. Creosote must be blocking the chimney! The house temperature drops. We turn on the oven in the kitchen. We even turn on the electric heating strips.

I’ll have to go up on the roof and take a look. Outside, snow lies deep on the ground. I lean our heavy wooden extension ladder against the thirty-foot-high roof eaves and carry up three two-by-fours, some nails, a hammer, and a big rock. At the top of the ladder, I nail one two-by-four to the side rail of the ladder, and shimmy along it over the ice-sheeted roof up to the ridgeline. Barbara gazes up from below. I think, What am I doing up here, thirty-five feet above the ground? I balance myself on the ridge and drop the rock down the chimney. Thunk—it hits something solid and stops. Barbara checks the clean-out door below—no rock. The creosote must be blocking the chimney!

Balancing on the roof ridge, I nail the remaining two-by-fours end-to-end and shove them into the chimney to break the creosote loose. I hear the rock drop free. Then we completely clean out the chimney using a stiff wire chimney brush tied in the middle of a long rope, I above and Barbara below at the clean-out door, seesawing the rope up and down. This works better for me than for Barbara—she emerges with a black face. With the chimney cleared, the stove lights immediately.

*          *          *

It’s now thirty years later, we’re on a family vacation, and we decide to drive by our beloved Bellefonte House. The crooked-built chimney still stands, looking eternal as it enters the twenty-first century, now wearing a patina of vinyl siding that covers the unseemly cement blocks. I take a memorial picture of our grown children sitting on the front steps with their kids sitting beside them.

In our memory, the house on the hill was a dowager duchess, having seen better days but still standing proud. We reveled in its large parlor, broad stairs, high ceilings, full porch, and heavy woodwork—features we would never again see in a home.

It’s strange how little money has to do with happiness. Here in Bellefonte House we shared the daily joys of food, rest, play, and work. Here I completed my PhD program. The kids laughed at the little squeaks their guinea pigs made in cages in the yard. They played house here, held “weddings” on the front porch, and explored the nooks and crannies of the attic. We celebrated birthdays, and from here, Kimberly and Timothy left for their first day of kindergarten. Here we entertained relatives and countless guests. At Bellefonte Courthouse Tim and Jeny became naturalized US citizens.

How does one discern God’s will? We didn’t choose Bellefonte house—it was chosen for us. When we moved there I had dark doubts, and yet somehow felt that God had given us this place. It represented to us much more than shelter—it served as a womb where we raised our young family and, I hope, gave witness to God’s love.

In Bellefonte House we learned to weather the winter with a large woodstove. The cold, forlorn house on the hill warmed to us, nurtured us, and became a place of joy.

WINGSPREAD Ezine, February 15, 2015

An E-magazine dedicated to writing about faith and flying in a complex world

Contents:
1. Ezine subscription info.
2. Wingspread reading and signing event
3. New  article: Valentines Alligator Hunt
4. Writer’s Corner
5. Favorite quotes and books

———————————————————-

Subscribe  to this Wingspread  E-magazine (free), sent direct to your email inbox, about twice a month. Click here http://jimhurd.com to subscribe. You will receive a free article for subscribing. Please share this URL with interested friends, “like” it on Facebook, retweet on Twitter, etc.

Wingspread: Of Faith and Flying: Reading and signing event:
Wednesday, Feb. 25th 6-8 p.m. Dunn Bros. Coffee Shop, Northdale & Foley Blvds., Coon Rapids, MN. All are welcome!

Wingspread is a memoir about how childhood faith led to mission bush-piloting in South America.
Buy it here:  jimhurd.com  (or at Barnes and Noble, Amazon.com, etc.)  See pics related to Wingspread: http://www.pinterest.com/hurd1149/wingspread-of-faith-and-flying/

New article: Valentines Alligator Hunt
It’s Valentines Day in the States, and tonight Barbara and I have ventured deep into the Venezuelan rainforest. Will this be the night we get engaged? …

Read more here:  https://jimhurd.com/2015/02/09/valentines-alligator-hunt/
(*Request: Please leave a comment on the website after reading this article. Thanks.)

 

Writer’s Corner:  

Some ideas to help you revise your own stories:

  • Think about one single person as a target audience. How would she/he read your story?
  • Is your story cohesive? That is, is it about one thing? Does each paragraph point to the one single topic? If it’s about two things, write two stories.
  • Can you add dialogue to your story? Readers like dialogue.
  • Make certain every word does its work. If it doesn’t, cut it. You should easily be able to cut your story by 10%. A good rule is, the fewer words you use, the greater impact they will have.


Wondering how to clean up your writing? Read my “How to revise an article” at:  https://jimhurd.com/category/writing/

Writer’s Word of the week:  nominalization

Generally, nominalizations end in: -ion, -ness, -ance, -ence, -ness. These suffixes turn a word into a noun, a “dead” noun. A good rule: Go through your story and turn these words into powerful verbs. Example: “The assembly line used automation.” Change this to: “The factory owners automated the assembly line.”

 

Favorite quotes:

♠   A story is the shortest distance between a person and the truth.

Fr. De Mello

♠   Outside of a dog, a book is man’s best friend. Inside of a dog, it’s too dark to read.
Groucho Marx

♠   The Good News of the gospel, therefore, is not that God came to take our suffering away, but that God wanted to become part of it.
Henri Nouwen

♠   He can compress the most words into the smallest idea of any man I know.

Abraham Lincoln (1809-1865)

♠   Thank you for sending me a copy of your book – I’ll waste no time reading it.

Moses Hadas (1900-1966)

 

My all-time favorite books on writing:

William Zissner, On Writing Well.

Brenda Ueland, If You Want to Write

*            *                  *                  *

Follow “james hurd” on Facebook, or “@hurdjp” on Twitter

If you wish to unsubscribe from this Wingspread Ezine, send a note to hurd@usfamily.net and say in the subject line: “unsubscribe.” (I won’t feel bad, promise!) Thanks.

Valentine’s Alligator Hunt

It’s Valentine’s Day in the States, and tonight Barbara and I have ventured deep into the Venezuelan rainforest. Will this be the night we get engaged?

Barbara has come down to Venezuela from Costa Rica for a ten-day visit. I wanted to fly her in the mission plane to see some of the airstrips I fly into, and to meet some of the missionaries. Earlier today we flew into Tama Tama, the remote jungle headquarters of the New Tribes Mission. Tama Tama sits on the Orinoco River, 600 miles up from the river mouth. We were welcomed with biting gnats, and enervating heat and humidity. Now we have flown farther upriver and landed at the Yanomamo Indian village of Coshilowateri.

Earlier this afternoon, Gary Dawson had pointed to his dugout canoe and asked us, “Wanna go alligator hunting and collect some turtle eggs?”

We said “Yes; of course!” What were we thinking?

 The dugout canoe is a cigar-shaped affair made out of a hardwood tree trunk, carefully adzed out and control-burned to leave a hermetic hull of wood with a narrowed prow to help it slip through the water. It weighs several hundred pounds empty. Its thick wooden bottom helps defend against sharp rocks in shallow streams. The Yanomamo propel their dugouts with paddle power, but ours has an outboard motor.

 We start our trip with a little sliver of moon, not enough to illuminate our path. The dugout carries us through the night jungle on the wind-wrinkled waters of the Padamo, a twisting tunnel of a river, with 100-foot trees towering on each side. We see no sign of civilized life—no boat docks, no electric lights, and no people. Just the dark, sinuous river. Gary sits at the rear, managing the outboard motor, his sister beside him. He’s about 18, skinny, sandy-haired, wearing just a tee shirt and an old pair of jeans. No shoes. He speaks Yanomamo better than any non-Yanomamo I know, and acts completely at home here on the river. A young Yanomamo boy, Jose, wearing only a G-string and a bit of body paint, sits in the prow searching the blackness ahead for dangerous rocks floating logs, and sandbars. Barbara and I cuddle near the middle where we’re perched on a narrow board wedged between the gunwales. Barbara seems willing to go anywhere with me—is it love?

The sandbars loom up out of the darkness. José says, “Por alli,” pointing toward a promising sandbar. We stop to find some turtle eggs. The eggs look like tiny dinosaur eggs—perfect ellipses. Gary says, “Don’t take ‘em all; leave a few.”

We get back in the dugout and launch. As José shines a powerful flashlight over the water, Gary tells us, “The ‘alligators’ are really caimans—they can grow ten feet long, and are covered with a nobbly skin tougher than leather. Their jaws can crush a large dog in one bite. They’re lying submerged in the river. Look for their red, beady eyes right above water level. They gleam like red reflectors when the flashlight beam hits them.”

Suddenly Jose points out two red reflectors just above the water—unblinking, motionless. Gary cuts the motor, stands up in the boat, and fires his shotgun. The gator thrashes violently, spraying water for 20 feet, agonizing, out of control, and then after a while it lies limp. We paddle over and pull it into the narrow canoe, crimsoning the boat floor. It’s eight feet long, and the powerful tail quivers under our board seat. An hour later Barbara screams and throws her arms around me when the gator opens its toothy jaws in a dying reflex.

 Mile after mile, Gary stares into the dark wall of trees. Then we see two white, unblinking eyes staring at us—eyes wide apart. What is it? Gary motions for silence and we cut the motor and paddle the canoe up against the bank. I wonder, What if he botches the shot? Will the eyes jump into the boat? Gary loads a slug into his shotgun, but just as he raises his shotgun, the eyes disappear. He says, “Probably a tigre.”

It’s now midnight, and we’re almost down to where the Padamo empties into the mighty Orinoco, second-largest river in South America. I look back upriver and see a pinpoint of light. We kill the motor and hear the high-pitched drone of another outboard motor. As the light grows brighter, Gary shouts, “It’s my dad. He’s worried we’ve been out so long, and is searching for us along the river.”

Joe Dawson says, “We were kind of worried about you. It’s so dark, and it’s late.” We motor back to  Coshilowateri.

Lots of excitement on this Valentines Day, but no engagement—the dugout was too populated and we had no opportunity. The next day Barbara and I will fly to the Parima hills on the Brazilian border where we will overnight in missionary housing, just a few hundred yards from Niayobateri, a Yanomamo village. At 11:00 that evening, Barbara and I will walk out onto the grass airstrip and I will ask her to marry me.